BEHIND THE SOUND
Articles and events of the Sound Design Institute. Our students, projects, works, industry news.
Tom Ammerman about 3D-sound
Founder of the New Audio Technology, Grammy nominated music producer shares his experience in working with a binaural technologies and immersive sound
Vasiliy Filatov on how to build a modern educational system in sound design
Michael Afanaciev about trailer music library industry
Ilya Tzvetkov about writting contemporary music
Alexander Dmitriev about gameaudio industry and teaching
Yuri Narvin: Branding is philosophy
Leading branding expert on the importance of a personal brand in the creative industry
Your music is your life experience
About music for House of Lies, Transformers, Russian comedies, as well as music training and creativity.
Past, present and future of sound
The sound of interfaces, things, technologies. Why the world might stop sounding, but we don't want it to.
A creative process of sound programming
About learning procedural audio, CSound, and self-learning.
Michael Afanasiev: how not to get into the loop of free work and start getting money
So many people in music don't have a musical education — and it's terrible.
How much does sound and music cost for games and how do I create it?
About working with sound in game projects, job search in the industry, composers and... theater?
How do I find a job and earn income from music and sound?
About trends in sound engineering, training, career and album recording.
Julia Petukchova: Don`t put your deam on hold
How and why a linguoprogrammer had a dream to become a music composer
Nikita Chaikin: Sound designer - techniques сreator
A story about the benefits of perfect hearing in the creative profession.
Ilya Smelkov: a Story about a huge hammer, drumsticks and a broom
Finding yourself in the sound of an 18-year-old who for a year "finished off" the five-year plan.
Askar Shakirov: I know what space sounds like when there is no sound
The story of a young sound engineer from # nbsp; Russia in the journey to "big" sound engineering in London.
Oleg Serkin: how sound design and a soup are connected
About the joint harmony of music and image and audio programming.
Mikhail Torres-Gorbenko: Why I came to The Sound Design Institute
About musical sound engineering, writing a custom music and why everyone needs to learn sound.
Open door to the world of sound engineering
Part 1. London
The story of a young sound engineer from Russia in the journey to "big" sound engineering in London.
Animation school SHAR
Animted Film Assosiation
The Union of Cinematographers of the Russian Federation
Policy the processing of personal data
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